Most participants in high school solo competitions are only in the performance room long enough for his/her performance and maybe for a couple friends’. They could learn so much by sitting and listening/observing for a while.
During some down time in between local student performances at a state level contest, I sat in a few performance rooms just to hear examples of what other students around the state are doing. I did not expect to see the wide range of performance quality given that I was at a STATE level contest and everyone participating had already received a GOLD (top) rating at district competition. If I had to summarize that experience, it would be with the conclusion that…
…not all music education results are created equal.
Sometimes I sit in the clarinet room during the upper level solos at Solo and Ensemble festival. There is a painful pattern of poor choices in music selection and interpretation, including the selection and performances of Sonata and Concerto pieces.
Choosing a Sonata vs Concerto for the wrong reason(s)
A brief music theory overview.
A Concerto is generally written for a Concert Hall …. for a Concert …. featuring a soloist with an orchestral accompaniment. It is normally 3 movements long; a bombastic first movement, a beautiful and contrastingly slow second movement and a flourishing climatic final movement.
Ensemble parts are usually boring, because the soloist is the feature. Only during the brief “Tutti” sections does the ensemble get to play much more than light, soft accompaniment. The Concerto is designed to “show off” the masterful soloist and it normally takes the instrument to the limits in tempo, technique and range. Mozart wrote his Clarinet Concerto for a friend considered to be a prodigy.
For a concerto performance with just a piano accompanist, as what is always the case for solo festival, the pianist is playing a simplified transcription of the orchestra score. In most cases, other than the potential of some 16th note runs in the piano part during the “tutti” sections (which can be edited or left out without drastically changing the piece), the piano parts are relatively simple, or can usually be simplified without changing the intent of the piece.
Historically, a Sonata was written as a chamber hall piece, written for a solo instrument and solo accompanist, often to be performed in a smaller setting than a large concert hall. I won’t get into the form of each of the normally 4 movements, but a sonata is more a “duet” where both instruments are of equal importance. The Sonata is usually less of a flashy piece, rather demonstrating what the two instruments can do together, often involving subjective interpretations of tempo and dynamics.
The Problems
….in picking the Concerto, the most common disappointment is when the student performs the piece at a ridiculously slow tempo. I’ve heard a Rondo (generally a 3rd movement 6/8 time performed in a 2 beats per measure pulse) played IN SIX. Or… the flashy first movement at half the intended tempo. I’m all about telling students they can be slightly under the published tempo to help with accuracy, but drastically changing the tempo also completely changes the piece, in my opinion. If you can’t play it the way it was written or intended, choose something else. Of course, the other option is to commit the practice to get it to performance grade, because the only sound worse than the super slow tempo is the sloppy technique of an ill prepared piece, evidencing a problem to be addressed in a separate post perhaps…..HOW to practice.
When it comes to the Sonata, I can almost envision the selection. The student is pointed to the band library solo/ensemble music drawer and begins looking through the solo options. Scared of the heavier use of black ink on the concerto, the student pulls out a sonata because it looks easier.
Yeah, eighths instead of sixteenths, hardly any ‘runs’. This piece is for ME.
The pianist, who often only gets 1-2 times to practice with the student, and who is probably also accompanying 10 other soloists, has had neither the time to adequately prepare the tougher piano part, nor the understanding of how the two go together……hence the painful disaster at contest as a result of poor interpretation.
Solutions / Recommendations
Pick a piece to highlight the soloist’s strength.
If your strength is technical proficiency (you can play fast, i.e. runs and arpeggios), the 1st or 3rd movement of a concerto can be a good choice. If a beautiful tone and vibrato are what you do well, then perhaps the 2nd movement of a concerto or some other solo form; such as an ‘air’ or a sound portrait type piece, might be a better choice. If you are good at playing with a wide range of emotion AND have access and rehearsal time to a good accompanist AND time to spend with a music coach who understands the particular piece selected, THEN….a sonata can be a strong choice.
Some of the lowest scores at contest are sometimes given to a decent musician who butchered a sonata, not due to poor musicianship, but to poor interpretation and understanding.
Get some expert coaching and/or listen to professional examples of that piece performed.
If you are studying privately, you should have the expert coaching you need. Your band director can often be a good source. As a director, however, I made an error a few years ago when I interpreted an Adagio tempo for a soloist. Mine was a good metronome interpretation, but not knowing that particular piece, I didn’t realize that the traditional method of performing that solo was to interpret the Adagio at the eighth note pulse and not the quarter note. The first time I heard a judge critique, I blamed the judge. The next time, when it was a different judge saying the same thing, I concluded I was mechanically, but not musically correct.
Sometimes it is difficult to find expert coaching in a geographic area for some specific instruments. Band Directors are usually expert in at least one instrument and may be proficient on multiple, but are not expert at all. The director can help with basics of notes, rhythms, dynamics, articulations, performance pedagogy, etc. But for interpretation, in the absence of a local coach, consider additional options:
1. Internet research. You should be able to find critique or comments on a variety of solo pieces, often as part of either a contribution from a college professor expert or from research data published in intellectual papers.
2. YouTube and other video presentations. CAUTION: Anybody can post videos and some are hideous. Better sources might include college senior music major recitals. Or look for multiple presentations of a particular piece and give extra consideration to the one with the higher number of views…..or to those that represent the pattern rather than the exception from your list of options.
3. Forums or discussion groups. Search to see if others are asking similar questions or having discussions about a particular piece. Often there will be at least one “expert” contributor.
4. Find a Skype coach. Colleges are using Skype to interview applicants. So are employers. When distance is an issue, it is an acceptable alternative. Music lessons or coaching via Skype are not common but are becoming more acceptable and available.
There was a fun “Prize Program” that went with our Candle Sale for the band. Yes, it was one of MY (Priority Fund Raising) sales. Here was the prize description at the bottom of the letter (highlight added).
AT THE ICE CREAM PARTY
CA$H BA$H
Tape the Directors to the Wall (BYODT)
Ice Cream – All You Can Eat
Variety of Door Prizes
Pig Races (Names drawn)
FUN…FUN…FUN
ICE CREAM PARTY for ALL who sell $100+
The Ice Cream Party was for all who sold over $100. There were about 50 people who qualified. The challenge was to eat all the ice cream, with the guarantee that if all the ice cream was gone, we would reschedule and do it again. NOTE: They didn’t eat all the ice cream.
BUT there would be other fun that only those at the party would experience.
CA$H BA$H was a cash give away. Students would draw tickets for amounts of cash ranging from $1 to $50.
DOOR PRIZES were random prize items I brought from my warehouse.
PIG RACES will need to be another story, but they were battery operated pigs that wriggled and grunted, or walked forward. There was zero control. Names were drawn for participants. Winners got cash or door prizes.
BYODT (Bring Your Own Duck Tape) was to be a highlight. Here’s how that went down…….
The students placed two chairs against the back wall in the band room; for Mr. Campbell and myself. And then, they had plenty of time to tape us to the wall with what they brought for the occasion
Obviously, I would require more tape.
When they finished, they gently removed Mr. Campbell’s chair from under him. He slowly slid down to the floor. So they all went about adding more tape to me.
Then….
…instead of gradually pulling out the chair, it was kicked out from under me, the way you might do if you were hanging someone….
It was such a violent (relatively speaking) maneuver that it pulled me away from the wall and I went crashing to the floor. I landed hard and, yes, it hurt……but the kids were laughing so hard I covered it up and laughed along with them.
And yes, they did help remove the tape from me and the wall.
UPDATE: This pic is from @2016. I retired in 2020, but I still like this pic and believe the point I am making.
I worked with teens for years. I thrive on their youthful enthusiasm. I have always believed that if you show them that you really care about them as an individual, and treat them with dignity and respect, that they will give it to you in return. Can you see that in this pic?
It was at my first Regional Competition at Chesterton in my first year returning to education in 2005. Mr. Campbell and I were walking back toward the buses with the judges’ “Silver” rating results. I was wearing a new school windbreaker Mr. Campbell had given me.
“You might want to take that off or flip it inside out.”, he said, with no additional comment.
I questioned him. He simply repeated the advice which I ignored because it made no sense.
We climbed up the ramp of the trailer to talk to the band. After we spoke, and when students started coming up the ramp, Mr. Campbell stopped them and said,
“Not on here. We’ll come down.”
I still had no idea.
A few seconds later they were all squirting silly string at us. It was one of those “traditions” no one had told me about. There was a “band buddy” system in place where, throughout the season, members would anonymously get small gifts for their “buddy”. But on the final competition, everybody’s gift to each other was a can of silly string.
What a mess. But, as soon as it was over, all students picked up as much of the silly string as they could. I found that impressive, but I guess it was part of the tradition … and we were at another school.
The next year, at Lafayette Jefferson, I was ready, and so were the students.
But I had a problem with the tradition and shared it with them….not sure if it was in a subsequent rehearsal or at the band banquet, but it went something like this,
“I have two problems with this silly string tradition. First, you are making a mess at someone else’s school. I know you work to clean it up, but you cannot get all of it and so there is always “evidence” that we were there.
NOTE: I started using the phrase, ‘Leave no evidence’ anytime we were needing to clean up, such as when we were having snacks or celebrating a birthday.)
And second, you are “celebrating” a SILVER rating. Yes, you’re probably celebrating the end of the season, but it just doesn’t feel right. I don’t want you to silly string ME again until you receive a GOLD rating.“
There were no “silly string” celebrations in 2007-08. But, in 2009, the band received GOLD for the first time since 2001. Speaking for both directors, I made them a “deal”…..
“Let’s have our “GOLD-rating Silly String Celebration back at HNHS, following the band banquet. Bring your stuff to the banquet, and afterward, Mr. Campbell and I will, voluntarily, meet you outside Door 34. Of course, you will have to do clean up, right?”
Deal!
I did two things to enhance our celebration. First, I brought several cans of stringy for Mr. Campbell and I to use. We knew we’d be outnumbered and surrounded, but we would not be unarmed. But also, prior to the evening, I had gone to a small group of trusted parents……
“Following the banquet, Mr. Campbell and I are going to meet the band outside Door 34. They will surround us and silly string us. When THEY surround us, I want YOU to surround THEM, and when it all breaks loose, I want YOU to silly string THEM.”
She was a new student who transferred in. I needed to listen to her so I could place her. I had never seen color-coded keys and it gave a good reason to have a nice get-to-know-you conversation. She said her band teacher labeled all their clarinetists’ keys like this. It was a nice horn.
Wow! I’ve spent my whole teaching career explaining the fingerings and expecting students to get it.
I HAVE had students label all their music notes. I didn’t allow it if I knew about it…..explaining that they were going to encounter more notes than they were going to be able to label.
btw I wonder if that teacher labeled trumpets or trombones.
I periodically listen to interviews conducted by Marissa Streit, a former classroom teacher. The title of this one caught my eye so I listened. As I did, I noted down some near quotes that I hear. These are not polished…. but give you an idea of the discussion. I didn’t agree with everything said, in particular, the parts about allowing children to walk home alone from school (or have I been affected by the hype?)…. But she kinda answers a thought I’ve had….. Why did we not have these problems, at least as pronounced, when we were kids? I don’t ever remember ‘mental health, PTSD and therapy being nearly as prominent as they seem today. I don’t intend to read the book, but parents of young children my gain from hearing this interview.Before you attack one of the comment/notes, listen to that part of the podcast and think critically about why you want to say what you want to say….and thank you for that.
Have America’s Classrooms Become Profit Centers for the Mental Health Industry?
Why does every child talk about having anxiety?
Why are our children swimming in mental health therapy?
1 in 4 young people identifying as trans. (Girls 7th grade).
Everybody needs therapy.
Everyone is broken.
A generation that is in profound distress.
The largest patient pool for mental health therapy are from the public schools. (CA)
Trams-informed care.
Every child has emotional damaged.
Instead of sending kids to the principal, they are now sent to the counselor.
Schools as a mental health ward.
SEL Social Emotional LearningTrojan house.Teachers are not therapists.
How are you feeling? Think of a time when (pain).
Trauma informed care.
Being born black means you’ve been traumatized.
Break the family
Over medicate children
If you wanted to break them down, there would be no better way than what is currently being taught in schools under the heading of mental health.
But… we have to keep them from suicide. How to find the line.
…the child who has never thought about it is forced to think about it.
…the child who HAS thought about it….
Does your child have a serious problem you cannot fix by changing their environment? If you cannot stabilize them that way, then yes. Therapist….but research the therapist the way you would research a surgeon.
Reset the default. Step 1 should not always be therapy and medication.
Some will need it and they should get it, but we are overreacting every childcreating mental disorder.
Hardship can be good for you. Certain kinds of adversity is really good for kids. Tell them the truth…that resilience is the story of the human condition. Most kids will emerge resilient. Tell them their parents went through hard things. Their grandparents went through hard things. Most will recover….a small percentage will really need professional help.
We don’t teach history so much as we’re teaching victim-hood. We don’t even teach them their own history. We need to connect them to their grandparents…what they went through. What their family, their ancestors went through.
You can get through it…because the vast majority will.
Feelings are always front and center. Being crushed under the weight of their own feelings.
PTSD traumatizing.
There are people who need help.
Kids need authority, community, independence. I can walk home from school… or to the store…or cook dinner.
I’m not shy. I have social depravity.
I’m not worried….i have anxiety.
Once you have anxiety, you need an expert to help you and you need a drug.
“You can’t say that. “
Disagreeable personality.
Don’t let someone diagnose them unless they really have a problem.
Terminology
SEL (Social Emotional Learning). Everything is a psychological program and requiresgroup (classroom) therapy.
Memory poker (as in the game). Group setting, kids trying to “1 up” each other. Exaggerating and talking yourself into the idea that you have been traumatized.
And all this is happening instead of academics.
Parentify. Parental abuse. Why do immigrant kids do so much better? Strong parenting. Chores and helping family and community are expected. Immigrant kids running toward adulthood and American kids staying home on mamas couch because they’ve been traumatized. The world is against them.
Trauma. There are traumatized kids, but we apply it to everyone.
There is a reason why we didn’t hear these terms as children.
Trust “Parenting expert”….only if he/she raised good kids to adulthood. Not a book learned only. Books by parenting experts who have never had children. (I remember thinking this way about the college professors in the Education School who had never been away from the college campus telling us how to teach.
I made two very small political donations to out-of-my-district candidates I couldn’t vote for, but whose positions I liked. Two complaints.
First, they make the $10-$20 donation process difficult as all the ‘defaults’ during the process are for a higher amount that automatically repeats monthly or quarterly. Ohhhhh, the lists those donations put me on.
I also donated to PragerU, a cause and operation I support, even though I don’t benefit directly from all their children’s books and programming. I have watched and learned from several of their 5-minute videos on various topics and enjoy some of the interviews and programming shows they provide. I will probably donate to them again. But wow….do they ever have me on their list(s) now. Opportunities to support this cause or that one, to have my donation doubled or tripled (but only today)….. And they even use the USPS.
Of course, we all know that if you click on something in Y-ville or F-whatchamacallit… that you are doomed for an almost never-ending onslaught of similar things to watch, read or support.
The only entity I support significantly and regularly is my church and some of the specially targeted mission programs it supports. I won’t get into the thousands of missionaries or of the emergency services and help in times of disaster and for people in need — because that is not my main focus of this post.
Just today (so far) and it is not even noon yet…. I have been asked to support, via email, text, and the tentacles of social media:
both presidential candidates (one just wants $1, yeah right). But today, not tomorrow.
both vice presidential candidates “if I can afford it”
a senator, who “for less than a cup of Joe – just $5” will make the senate his political color
PragerU
Daily Wire
Israel
Not today (yet), but I periodically hear from:
my university (I do enjoy the student callers)…
my university’s school of music – I even sent postcards to prospects on their behalf
My university’s philanthropic dept
several candidates (both major parties)
Newsmax (and others) want me to ‘vote’ or participate in a poll, but I’m confident those will lead to a donation opportunity.
Recently, I received a letter with the return address of President Donald J. Trump. I was going to post it on Facebook (denied) on Instagram (denied) and X (denied). Maybe there really was something wrong with the way I took the pic….but that is why I did not include it in this post.
Most who offer audio or video podcasts advertise and also offer a subscription for a variety of benefits. There was one I really liked, but she stopped all “free” and went subscription only. I didn’t follow. But NOW… she’s back.
I use Unroll Me app to reduce emails….somewhat successfully.
Sending “STOP” on texts is a joke. That just confirms the number and adds me to to other lists.
If you donate everything away, will the government replace it?
What’s your story? How do you avoid/reduce them? Or can you? Advice appreciated. Attackers not.
In 7th grade, attending a band clinic at Morehead State University, I made the definite decision that I wanted to be a band director. No one on either side of my family had been to college, so I was clueless in many aspects of what it would take.
My band director, James Copenhaver, pulled me aside one day to explain:
You want to be a band director. That means you’re going to need to go to college, but your family can’t pay for you to go (My parents were divorced and my polio-surviving mother was raising five children.)
Your grades are okay, but not good enough for academic scholarships. You’re not athletic, so that is out.
The best chance for you to get to college is to become good enough on that clarinet that by the time you graduate, a college will pay for you to come. You’ve got four years.
Before I left my first sales job, I had worked five years for a national manufacturing company which spent a lot of time making the case that, even though ours was a “draw-against-commission” job (straight commission with a regular check, in other words), we had the security of management and big business backing us up and that life on the outside competing as a “trunk-slammer” who represented a variety of manufacturers and importers was an extremely high-risk proposition.
The manager who hired me left the company during my fourth year to go work for an importer that competed with my manufacturing company employer. A few months into his new job he called me…
John, you gotta get outta there. There are too many stupid people out here making too much money trying to do what you have already been trained to do. Make the jump, you’ll be fine.
He sent me information and I started researching the contract I was under. This process went on for several months. I started making plans and connections. Then I got another call from Bob,
John, have you left yet?
No, but I have one foot out the door.
Well, never mind. Don’t go. I’m back!
He had been hired back as upper-level management. I did resign and was one of the very few who did so to start working independently in the same business, who did NOT get challenged on the contract — and my theory as to why — is that Bob, did not want to have to answer in court that he was, in fact, the one who told me to leave and advised me to do exactly what I did. I’m glad they hired him back.
My wife and I ate beans and cornbread for a few months, but we got our business up and running and never looked back.
As I made the rounds to some of my former customers to tell them that I was still in business, but would be operating under another name, George, an Assistant Middle School Principal and Athletic Director started asking me a lot of questions and expressed an interest in coming to work for me in my new business.
But George, you have tenure, a Masters Degree and a Principal’s License. I can’t pay you anything until you sell something. Take a couple weeks to think about it.
A few weeks later I called George,
Just checking in to answer questions and see what I can do to help reduce your stress as you consider your options.
I’m not under stress anymore. I just resigned.
I know it took him a couple years to match the income he walked away from, but I underestimated the thrill of helping get an operation off the ground. George was a faithful and successful sales rep for me for twenty years until his retirement a few years ago.