Respect

Solo Contest Checklist

ratingI prepared this list for one of my woodwind students and modified it some to include other instruments. There are links within this article to other articles I’ve written about literature selection, accompanists and the judging scoresheet categories.

Pre-performance

The basics. Music, instrument. People have forgotten both.

Solo Part – ORIGINAL for judgeMeasures numbered. 

Have you paid your accompanist? Customary, usually following performance. More about respect, preparation and appreciation for your accompanist, click here.

BRASS.

Valve oil

WOODWINDS.

Backup reed – in case something happens to yours that day.

Mouthpiece cap – Keep on when moving – protects and looks professional.

PERCUSSION.

Backup sticks/mallets.

Arrive at the school/venue about an hour before your performance time. Find your performance room and then you can go to warm-up. Don’t over-practice. Just review your challenging spots. Your ensemble should run through the piece. Note that these warm-up rooms can be noisy.

Performance Room

Arrive at performance room before your time. You can go in ahead of time (or anytime) and listen to other performers. Most in Group 2 will be h/s. If your accompanist is late because of accompanying someone else, just explain that to the door person or judge.

Have the book opened to your solo when you present it to the judge.

If judge asks questions, answer politely (as you always are).

Sit or stand. Your choice. I prefer standing. Judge may want to see your fingers, so don’t put the music stand directly between you and the judge. Be able to make eye contact with your accompanist.

Do not start until the judge tells you to. He/she may be completing notes on the previous performer. If permission received, play tuning note with piano – last chance to check your reed.

Be prepared to introduce yourself, your school, and your piece (title/composer).

When you finish, especially if there is any applause, a slight bow is appropriate to acknowledge. Applause is the audience saying thank you — a bow is your thanking them for the applause. Recognize your accompanist.

You will not get your music immediately – probably after the performer who follows you. You will not get your scoresheet. Those go to your band director at the end of the day. 

The door monitor will write your rating on the wall schedule.

Performance categories (sheet may vary slightly)

A separate post with addition scoresheet categories ===> HERE.

Intonation. Are you in tune with the piano? With each other (ensemble)? Do you have individual notes that are out of tune? Accuracy to printed pitches.

Tone. Resonance, clarity, control, focus, consistency, warmth.

Rhythm. Accuracy of note values, rest values, duration, pulse, steadiness, correctness of meter.

Technique. Facility, accuracy, articulation, fingerings.

Interpretation/Musicianship. Style, phrasing, tempo, dynamics, emotional involvement.

Performance factors. Choice of literature, appropriate appearance (related to performance), poise, posture, general conduct, mannerisms, facial expressions. Formal dress is not required, but jeans with holes and advertisement t-shirts will not only affect the appearance score, but also — judges can decide much about you before you play your first note. You are “on” from the time you take your performance position until you exit.


Did I forget anything? Let me know so I can improve this post for the next time. And note that rules per state are different… I tried to be generic in that regard.

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Wait Longa, Move Fasa, Hit Harda

Horns UpWe had a Marching Band Drill Writer/Visual Tech who would use this instruction when talking about “horns up”. He wasn’t from Boston, but used that type of accent. Here is what he was talking about:

“Wait LONGA” means don’t rush it. Don’t move early. Wait until the last possible moment.

“Move FASA”. Once you move, move fast….like two film windows….. one you’re down, the next you’re up…. with very fast movement.

“Hit HARDA”. Without losing any teeth, stop the movement as if it hit something.

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Casual Retard – or Gradual Ritard

A lesson in Italian music termsI was rehearsing one of the concert bands on Pep Band music. One ensemble tended to lose tempo. To reinforce my point, I started them with a metronome — and then stop directing. After some time, I would restart the metronome. I described what they were doing:

“Sounds like a gradual ritard. You’re slowing down.”

No one in the ensemble said anything and I gave it no additional thought.

===================

But then, one of the building admins confronted me about a parent call. The parent was upset because the daughter came home telling him I said they were retarded.

I asked if the Admin had a quote of what I was accused of saying. She pulls out a piece of paper reads;

“Sounds like a casual retard slowing down.”

Admin instructed not to confront the student, but to talk to the band.

===================

Following is my followup with the band…

One of the agenda items on the board was “music term of the day” and next to it was:

Ritardando
Ritard.
Rit.

I asked the ensemble what those three terms mean.

Numerous correct answers.

Then I asked them to think back to the pep band music rehearsal last Tuesday — and I asked them what the overall group’s problem was (especially) that day…..

[We were slowing down]

Good answer.

Then, I shared the quote I was accused of saying…..

“I didn’t record myself, and I don’t think I said the word casual because that just doesn’t sound like something I would say. But let’s go with that for now. If I used any form of those three terms in the context of last week’s rehearsal, what do you think I was saying?”

[That we were slowing down.]

Good answer.

Now, let me tell you what I absolutely didn’t say — and would NEVER say….. I was NOT calling you retarded.

[Collective eye roll and OMG kinda responses.]

One four-year ensemble member, said….

“You would never say that.”

We went on to talk about what should have happened….. That if/when I said something that an individual thought was offensive, out of line, or even unclear — that this individual should come and talk to ME first.

[Collective yes nods.]

And that if your parent needs to call someone, who do you think they should call FIRST?

Good answer.

Then…we went on into rehearsal. I responded to the Admin the results of our conversation. Admin calls the father to explain Italian music terms.

The parent apologized, the daughter spent the next four years maturing as a productive ensemble member, and as far as I could tell, a respectable supporter.

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5 Considerations to Making a leap of Faith

Leap of faithby John Gardner

This graphic illustrates a scenario we all face, individually, in business, in school as well as in music ensembles. Most of us, at least once, have been to the edge, looked down, looked across and pondered the possibilities. It is easy to say you want to get better, but how do you make that leap to the other side?

Realize that not everyone WANTS to get to the other side.

Many are satisfied with the way things are, represented by this marching band member attitude:

I am okay where I am. I am not last chair, I can play my part reasonably well, I can pass the playing test. I see those people on the other side…..so much pressure, so much work, and for what? Band is a good social group. It is a good place to find a date, to make friends, to feel connected. I enjoy the bus rides, the longer the better. The band parent provided food at competitions is good and I like the freedom during the down time to hang with my friends and watch some other bands.

You are, after all, standing on solid ground. It is safe where you are. You KNOW where you are and are in your comfort zone. You look over the edge and see danger. You could fall, you could fail. You could get hurt.

WANT it….with everything that is within you.

You hear the musician who plays the more difficult solo or watch the marching band put on a crowd cheering performance. You see the elation at the award ceremony and YOU WANT THAT.

In “The Return of the Jedi”, as Luke Skywalker finally stands before his ultimate enemy, the Emperor says to the young Jedi who is viewing and considering his weapon,

You want this, don’t you?

Know that small, safe, baby steps won’t make it.

If you stand on the edge, look down and take a step, you will fall. The gap is wider than that and will require a running start LEAP.

Practice and Prepare to Perform!

Olympians don’t just show up at the games. Basketball players spend hours behind the scenes practicing boring free throws and doing exhausting repetitive fundamentals up and down the floor. The ice skater doesn’t decide at the start of the performance that a quad would be a good idea.

There is no short cut to success. You must be willing to pay the price.

The ice skater going for the quad is literally a “leap of faith”. There is never a guarantee of success, but repetitive practice, falling down, getting hurt, figuring out what went wrong and working harder to get better…..are necessary ingredients to establish confidence and competence to make the jump. A phrase I have used in rehearsals,

Like the ice skater who misses the quad, missing notes (steps, sets) in performance can hurt.

A good cartoon by Tone Deaf Comics illustrates part of this idea.

One more time

Commit to go….and then GO!

No more standing at the edge. No more looking down. No more considering the consequences of failure. Back up, focus on the other side, set your mind and then RUN hard at the edge. When the Israelites were crossing the river Jordan, the waters did not part until the priests feet touched the water, the point at which they demonstrated both faith and commitment (Joshua 3:14).

Once you commit to go, you have to “go all out”. Know where you’re going, practice and prepare, commit and go.

 

 

leap-of-faith-2

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Assume Nothing, and always Check Your Order

Ink bottles are more economical than cartridgesLast Christmas, we purchased an Epson Eco-Tank printer and I ordered extra ink from LD Products. I’ve worked with LD for years and have always had good products and, when necessary, good customer service.
So impressed with the ink usage. Finally, after a full year, which included printing a dozen or so copies of a multi-hundred page memoir (2-sided in color)…. we FINALLY had to replace the black ink. Note, the rest of the colors are only half used in a full year — and these cartridges are well under $10ea. Much more economical and efficient than the cartridges we dealt with for years prior.
Only now, however, did I discover how messed up our order was, including bottles that didn’t fit, one that was sealed without a nozzle, one where the nozzle stayed in the lid and ALL the color cartridges were the wrong number for the box.
I had to prove what I had, so sent this pic to LD. I’m confident they will take care of me.
The good news is that I was able to get one bottle to work and fill the black (with still more left in the bottle for next time).Efficiency of ink bottles
Bottom line — and I knew this from my years in business:
1) Assume Nothing, and 2) Check your order when it is received.

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2 days of Jury Duty

Jury duty

2 days of jury duty in the books. With 6 felonies and one habitual offender conviction, this one out-of-town drug thug who made the mistake of bringing his stuff to our town, will be off our streets for the next several decades.

Kudos to the observant patrol officer who pulled him over before he reached his destination. He was significantly and specifically trained, prepared and a well-spoken witness and, along with the detective who did a deep-dive on a device and the state police lab technician who tested everything — wow.

The prosecutor organized it all for us. What a case. I hope I don’t have to pass a quiz on drug jargon.

I was also impressed with the judge (husband is the sheriff), pleasant and soft-spoken but totally in control, including communicating well with the jury — and spending time with us after the case to express thanks and answer questions.

The bailiff was helpful with my mobility challenges.

There was a surprise (and very short) second trial. The jury was surprised as we were told to bring our jury notebooks with us back into the courtroom as we were delivering the verdict. Once the verdict was pronounced, the judge informed us that, we couldn’t be told in advance, but now must make a determination whether the defendant is a habitual offender. That didn’t take long.

Hopefully, by the next time I’m called for jury duty, the county will ensure ADA compliance in its courthouse, as it took steps to get into the jury box and even into the two restrooms I used on the 3rd floor. I may be contacting some county politicians.

ps…. some of the excuses used to be excused from duty:

No, I don’t like the police. I’ve been in trouble with them before.

No, I won’t consider circumstantial evidence.

I know a hopelessly addicted addict.

My medication makes things go blurry and also makes my hearing come and go.

‘Maybe’ I can consider circumstantial evidence. ‘Maybe’ I don’t have a problem with the police. ‘Maybe’ I can presume innocence.

Of those who stayed, I was not the oldest. At least one was missing work w/o pay, others who will pay more in child care for the day than they will get from jury pay….

It is not worth the pay, is inconvenient and all that….but if you get called, say YES. You’ll learn a lot.

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Busy dedication

A cheerleader who cheers first half, runs to the band lineup to perform halftime, and then back to cheer for the second half.

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Is it ever ok for a teacher to LOVE students?

There is more to school life than what happens during the academic day. Some academic teachers are also coaches or extracurricular sponsors. Coaches develop strong bonds with their athletes. Music and theater arts teachers spend considerable extracurricular time with students – evenings, weekends, summers. These teacher/student relationships are significant and life long impacting.

Is it ever ok for a teacher to LOVE students?

In a reunion with some of the students from my first teaching job, as they were sharing memories, one person put it this way:

“Come back to teach the students of the students you taught.”

I expected to hear some of the heart-warming stories and did, but one comment caught me off guard a little. As one was listing attributes he appreciated, he included…..

“…and your smile.”

What teachers do you remember most 10-20-30 years out, and for what do you remember them?

Band is the ultimate team.

Unlike a basketball team with its starting five, there is no bench in band. Everybody is in. Everybody is a starter. Few other types of groups will involve people from such varied backgrounds. There are children of doctors and lawyers performing with children of single-parents working multiple jobs or utilizing government help. There are the students who have their own cars and those who need rides, those with the iPhones and the free phones or no phone. You will find students in most bands from every church in the community and others who have never been inside a church.

High school provides a memorable time for teens and parents to be on the same team before graduation and the empty nest.

If only it were like that for all teens.

At this most critical time in their decision-making years, if teens can’t find love, acceptance, encouragement and support from parents, teachers and mentors, they will search for it elsewhere, often with disastrous results leaving them with consequences that change lives and crush dreams.

But even more than TEAM, band is FAMILY…

Most high school athletic teams are together for a “season” — maybe six weeks with a few more for preparation. Band meets in the summer, including band camp which can be 8+hours a day. Then there is every day at school with additional rehearsals in the evenings, plus the Friday football/basketball game and the Saturday competition.

…and more functional than some.

As I stood outside Door 34, she jumped out of the passenger side of the car and ran past me, teary-eyed, crying,

“I’m sorry. I’m sorry.”

As she went by I saw the papa, for the first time, approaching me and angrily waving a piece of paper.

“How much of this schedule is mandatory?”

I paused, if only for a moment as I thought through his reaction to my answer…

“All of it.”

After grumbling something that I probably couldn’t repeat, he returned to the car and didn’t quite lay rubber in his exit. The daughter was waiting in my office, still crying and apologetic. I hugged her. How does such a sweet daughter have a parent like that?

There are loving parents who are working 2-3 jobs each, going to school and dealing with the challenges of large families – and it is somewhere between difficult and impossible for them to spend a lot of time at football games, parades and competitions. I get that. But what do you say to this parent?

“We need to pull [Benjamin] out of band because he won’t clean his room and he needs to learn respect. He loves band and so this is the only valuable thing we can take away to make our point.”

Or this one?

“Why should I pay money for her to spend time spinning a flag. There are no colleges that will offer scholarships and besides, what job is that going to prepare her for?”

Or to these students?

“Can you please give me something to do. I’ll straighten the library….anything….just don’t make me go home.”

“I have a job so I can earn the money for my band fee, and I keep hiding it, but my mother keeps finding it and taking it.”

“I have to quit music lessons. My dad found out I was using some of my job money for music lessons and says that if I am going to waste my money on that – I can start paying rent.”

“Please don’t try to introduce yourself to my dad. Please don’t. Please, please, please don’t. He is not a nice man.”

I want to share the LOVE they may be missing.

Educationally, the L-word is dangerous. Administrations encourage admiration and respect, but love is conspicuously absent. Understandable. Inappropriate teacher student relationships make national news and destroy lives. Elementary teachers can hug students, but by middle school it is to be a touchless relationship. I disagree.

Sometimes an appropriate touch, handshake, high five, tap on the shoulder or even a hug – can be powerfully effective in mentoring, consoling or encouraging. It doesn’t have to be physical. It can be listening and responding when others won’t.

C.S. Lewis in his book, The Four Loves, divides the Greek vocabulary for “love” into four categories:  Storge (στοργή storgē) -affection, Philia (Philia (φιλία philía) – friendship, Éros (ἔρως érōs– romantic love, and Agápe (ἀγάπη agápē) – charity.

None of those match completely what I’m trying to define. Storge (affection) can include the physical. Philia (i.e. Philadelphia – brotherly love) comes close but can include the sexual. Éros is obviously not appropriate, and Agápe, often interpreted as the love between Christians is also close, but gets into spiritual and that is not quite it either.

I “L” my students with a parental type. I see their potential and their youthful enthusiasm and I love that. I love their willingness to share with me things that they can’t comfortably share anywhere else.

“You are always the one to trust with issues like this because you treat us like people and not just another bunch of “teenagers”.”

ADMIRE students who…

  • pay band fees out of a paycheck
  • pay for private instruction lessons out-of-pocket
  • seem completely self-supporting (clothes, obligations)
  • apologize for the way their parent(s) behaved
  • juggle the extra rehearsals and activities with job and homework — and go for the best grades without parental encouragement or expectation
  • keep a positive attitude when others have parents involved and but they don’t

Nobody said life is fair. Those who endure hardships can be the better for it later. Trust me on that. As the oldest of five children raised in a single parent family by a polio surviving mother (and if you have no idea what that means, thank God), I understand poverty, but also how to work through it, with it, around it, and above it …. so cut me some slack when I don’t expect less from the less fortunate.

Students often impress me with friend choices and for the way they support and encourage each other. It is moving to see how friends and band members surround one who is hurting, physically or emotionally. With proper relationships established, teachers can be included in, or involved separately in similar support and encouragement – even of some personal issues.

RESPECT students …

  • who work through moderate pain or discomfort without complaint
  • who have the musical ability to thrive, but can’t get the new instrument, or the private lessons, or go to the summer camps….or even stay in band, because of a parent who doesn’t see the value of band or color guard
  • expect more of themselves than their parents do
  • endure custody battles and try not to allow it to interfere with band

I hope these students appreciate how hard I try to make their situations work out.

And we have students whose parents are their biggest cheerleaders and amazing supporters…..

  • helping them earn the highest of Boy or Girl Scout honors
  • supporting their garage band
  • encouraging out of country mission trips
  • inspiring them to pursue the same vocation as the parent
  • or spending countless hours volunteering for band (committees, sewing, cooking, feeding, chaperoning, driving, etc)

We have CARING students who….

  • stand outside Wal-mart when it is below freezing to ring bells and play Salvation Army brass ensemble music
  • volunteer in nursing homes and with church youth groups in a host of different types of volunteerism
  • help raise money for those sick and injured

I am a retired high school teacher who appropriately loves, admires, and respects students.

Teacher Student Love

 

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My College Years with an Old Opera Singer

By John Gardner

This house and owner involved three years of my college life living in a home owned by a 1920’s New York opera singer.

Not quite haunted, my college apartment was a hospital room during the Civil War. This was my college home for three years while attending the University of Kentucky. Only a two-minute walk from the music building made it convenient and the rent was cheap but came with a price. Miss Iva Dagley, a 70-yr old former opera singer, rented five third floor rooms to college guys. Both the house and the homeowner were historic and unique. The straight parallel rows of huge trees that go out for several blocks from the house likely outlined the original entrance to the 1800’s estate. Miss Dagley (no one called her Iva) was a rising opera singer when the 1930’s Great Depression sent her home from the New York’s Metropolitan Opera.  She never talked about her life overseas or in New York, or how she acquired her wealth, but aside from the value (historic and monetary) of the house itself, the contents were priceless. I’m not surprised that she never married.

Life at the Dagley house included an education UK could not match. She adjusted forever my dialect, diction, grammar and vocabulary.  I uncomfortably experienced how the élite deal with the ordinary, picked up breadcrumbs of how the rich keep, manage and spend money and cringed at her political prejudice and unapologetic racism.

Miss Dagley was legally blind and her cat was deaf…. which made for a hilarious combination. She couldn’t see the cat and it couldn’t hear her coming. From the 3rd floor, we would periodically hear the cat scream, often followed by a crashing pot or pan. When I ran down to check on her after one especially noisy event, she scolded me to never do that again.

Rent was cheap but included one “errand” per month. Since there were five of us, that meant she could get out at least that often, or to get things done in or around the house. Sometimes our errand was to give a tour of the house to her guests. In my three years there I did a lot with and for Miss Dagley. I’ve highlighted a few of the more memorable.

“1791” Tapestry in a stairwell. When showing some guests a thick tapestry…and noticing “1791” stitched into the lower right corner, I later asked her if it was a copy. Her blunt response,

“Young man, please don’t ever again suggest that I have a ‘copy’ of anything in this house.”

Traveling with Miss Dagley was a trip. We drove her in a 20-year-old Cadillac. Faded pink, it must have been especially rare and attention-grabbing in the 50’s. It was in mint condition as it was only outside the garage a few miles per month. Picture, as you read the following ordeals, how the other person involved would give her assistant a “is she for real?” look that they knew she could not see.

The bank. “She wanted to “cash” a check. She didn’t specify why….just handed me a money bag and an envelope for the teller. Imagine…. a college student approaching a bank teller with a nearly blind senior citizen woman, and handing the teller an envelope containing a check, a note to “cash it” with specific instructions of how many of each denomination – and a money bag. I was unaware of the amount of the check until the teller summoned security, which quickly, but politely, positioned around us. Can you say awkward moment? The exchange with the teller went something like this:

Teller: “Ma’am, are you sure you want to cash this….all of this?”

Dagley: “What does the note say?”

Teller: “Yes ma’am, but are you aware of the amount you are asking for?”

Dagley: “You mean the amount for which I am asking? (She was always correcting grammar and pronunciation). Is there confusion about the amount?”

I was not surprised that they were questioning her writing, especially if she wrote it out herself. More probable is that her attorney, a frequent visitor, wrote the check, and that her signature was all over it. When signing things, she would ask us to place the pen in the general area. Her signature was huge and never went in the intended direction.

Teller: Are you sure you have the right number of zeros?

Dagley: How many zeros do you see?

Teller: Ma’am that is ten thousand dollars.

Dagley: “Yes, it is. It is in my account and I want you to put it in this bag.”

Bank officer w/Security: “Miss Dagley, may we have a word with you?”

Dagley: “No. You may not. This is a simple transaction and I want you to complete it NOW.”

I never knew what she did with that $10,000 in cash.

The fireplace store.“She wanted an insert for one of her massive fireplaces (note the chimneys on the house). She was using her long-sleeved white gloves to feel shapes and textures. The biggest difference between her white glove inspection and that of a Marine sergeant was she was unarmed.

Me: “Miss Dagley, those stoves are dirty.” (Ignores me.)

Salesman: “Ma’am, you are getting your white gloves dirty.”

Dagley: “Why am I getting my white gloves dirty?”

Salesman: “These are sample stoves in active fireplaces and they have soot on them.”

Dagley: “Why are you displaying dirty stoves? Show me a clean one, please.”

At the gas station. (full service, of course.)

Dagley: “What are you putting on my windshield?”

Attendant: “Window cleaner, ma’am.”

Dagley: “Soap and water. That is all I want you putting on my car.”

Sending Christmas Cards. She kept a book and tracked incoming and outgoing cards.

Me: “Here’s a card from [whoever]. Shall I address one to them?”

Dagley: “Did they send me a card last year?”

Me: “Yes ma’am.”

Dagley: “What about two years ago?”

Me: “Doesn’t look like it.”

Dagley: “Then we shall wait until next year. Next?”

Some of the rooms in her house.

Hopefully, someday I will find the pictures I took.

The SILVER Room.“Probably originally a dining room, this room had a remarkable collection of only silver artifacts. It was a large room with layers of added shelves. Badly tarnished silver (I’m confident it wouldn’t have been if she could have seen it, but it was not wise to criticize anything in the house. My mother commented,

It would take a full-time person just to keep this room shiny.

The TEAKWOOD Room. Every piece of furniture was hand-carved under water. The room had a very oriental look to it, with marble serpent eyes in the arms of some of the chairs.

The centerpiece of the SUN room was a massive marble table. The tabletop was no fewer than three inches thick and, according to Miss Dagley, took seven men to carry in. Nothing sat on it. No one ever used it. It was just…..there.

The Living Room, and all the rooms on the first floor had approximately 20 ft ceilings and hardwood floors covered with ornamental not quite wall to wall rugs. The rug in the living room had to be 60-80 ft long and over 20 ft wide. I would never be able to afford even the frames that surrounded the massive paintings and portraits. She was stunning in her twenties during the twenties. The 4-foot urns looked like she picked them up in India. At the back of the room (went from front to back of the house) was a full-size grand piano (not a baby grand). On very rare occasions, when she thought we were all out of the house, she would vocalize. Given her age, I can only imagine the power and beauty of such a voice 50 years earlier. She gave a very small number of private voice lessons. I wish I could have sat in on some of those.

The Second Floor had four large, ornate bedrooms, each opening to a common foyer that provided several chairs and couches that I never saw used. Sometimes she would have an extended-staying guest in one of the other 2nd floor rooms.

The Third Floor had five rooms. Four rooms had windows that faced the side or the back, and those had normal, although old widows in them. The room that faced the front had only one small ornamental original window that couldn’t be changed because of the historical registry. There was an electric bell installed that Miss Dagley would use if she needed to “call” one of us, or if she needed to give us notice that she was “coming up”.

Diction and Dialect

Singers must carefully and correctly pronounce their words. So did people in Miss Dagley’s presence. I once asked if she wanted me to wash (pronounced worsch) the car. She kept asking me what I wanted to do to her car until I figured out her point. Another time, I mentioned something on the “nooze“. She asked me how to spell that and when I responded n-e-w-s, she encouraged me to pronounce what I spelled. During my three years in her house, she thoroughly negated my northern Kentucky accent.

Racism and Communism

There was an African-American man who took care of her yard. His transactions with her were always from the back door (which I saw only one time when I walked around the outside of the house), never the front. One time I called her on a reference to him and she silenced me with,

I have nothing against colored people…..they’re just not as smart as normal people.

Another shocker was when I had said something about how I liked the way John Kennedy spoke:

Democrats are communists and he was one of the worst.

Curfew, Girls and the Girl Apartment

We all had a key to her massive front door. But each night, once she believed we were all inside, she would apply the additional locks. I don’t recall a time-specific curfew, but we all knew she waited for us to get in before she would go to bed, which made midnight practicing at the music building problematic. She told us that we were to call her if we ever got to the house and found the door locked. No one wanted to make that call.

One night I missed the locking, which meant having to walk to campus to find a pre-cellular-phone. Instead, I elected to use the fire escape, which required the first ladder to get to the metal roof right outside her bedroom window and then climbing the second ladder to the window of my room. Unfortunately, I mistakenly thought I had the storm window locked open and when it slammed shut, the shattered glass made a terrible noise outside her window. I looked over the fire escape and saw her bedroom light come on. I climbed inside just in time to hear the bell ring and her call, “I’m coming up”. She never raised her voice, simply asking….

Why did you break my window?

Joan and I were dating by the time I moved into the house sophomore year. Miss Dagley liked Joan, especially since she was a vocal music major. Two of the five third floor guys would have girlfriends over. The other three didn’t want to put their friends through Miss Dagley’s unofficial approval process, which generally required only the first few conversation exchanges. Only the best for her boys, of course.

There was a studio apartment out the back of the house that was probably originally a summer kitchen or servant quarters. She would rent it to girls, but not to just one. She offered it to Joan, but when the second renter fell through, Miss Dagley helped her get a basement apartment down the street that provided extra income to a nice elderly couple. I spent more time in that basement than Joan spent in my attic.

Church and misc

Miss Dagley was Episcopalian. I never saw her church, although I would have loved to hear her sing. I learned two fun facts about this church. There were only six members (left). And because of her Packard story, I believe it was of a rural country variety. The reason she bought her Cadillac was because her previous car, a Packard, was so heavy that it once “sank” in her church parking lot.

I regret….

… that I never returned to visit. I learned of Miss Iva Dagley’s death from the lawyer’s response to my Christmas card. She had no family alive and the gossip, while we were there, was that it would all be left to her cat.

 

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