I want to be careful and mindful posting this. As far as I know, no one was hurt. I’ve heard people say marching band is easy. If you say that, you should try it. I mean….out there on the field. For a few years, at the end of Band Camp, we would invite parents to learn a portion of drill with their student. Of course, we didn’t really give them time to learn it because that was not the point. It DID give those parents a new perspective on what their student was doing.
Most of these types of fails would not have happened (often) when I was marching…..but today’s complex drills, fast paces, close intervals and backward marching…. well….
Watch for a laugh……but it is marching season, and KUDOS to the way those in this video responded through their fail.
Go ahead. You can laugh out loud. Then go cheer on a marching band.
She was a new student who transferred in. I needed to listen to her so I could place her. I had never seen color-coded keys and it gave a good reason to have a nice get-to-know-you conversation. She said her band teacher labeled all their clarinetists’ keys like this. It was a nice horn.
Wow! I’ve spent my whole teaching career explaining the fingerings and expecting students to get it.
I HAVE had students label all their music notes. I didn’t allow it if I knew about it…..explaining that they were going to encounter more notes than they were going to be able to label.
btw I wonder if that teacher labeled trumpets or trombones.
In the high school where I taught, we were just beginning to work on Africa: Ceremony, Song and Ritual. It was an incredible piece of music written to display some of the beauty and complexity of African music and drumming.
I have two “racist”-related stories to go with our preparation of this piece. The first happened several years ago when I invited (and then had to un-invite) an area African drumming group to come to our school to lead a Master Class for our students and open our concert. That will be for another post.
More recently, as part of our discussion and preparation, I spoke with the class about how African drums are considered “sacred” and that we would treat this music and our performance of it with that type of respect.
As part of that discussion, I spoke a little of my son’s study abroad experience during his undergraduate work at Duke University, when he spent a summer in Ghana. He was one source of telling me how reverently the Gananians treated the drumming instruments. He also told me the exceptional level of respect they gave “white people”, especially men.
He stepped over some local cultural norms when he insisted on helping with the food preparation and in washing his own clothes. It should be noted that the home where he stayed was considered one of a “nobleman” from the area.
Not comfortable with the female servants doing his laudry, David tried to do his own. The best he could get was for them to let him help them.
“Everyone wanted their picture taken with the white guy, and they wanted hugs. When I went to church, they would always set me on the front row, if not on the platform itself.” -David Gardner
What really sparked the shocked response was when I told this class (mostly white with a small hispanic component) about my son’s experience in a Drumming Circle, where several of the students from his trip participated. The comment that the drumming leader made (multiple times) was that….
“You all are playing like a bunch of WHITE PEOPLE.”
I got a noticeable gasp of disbelief and shock when I shared that quote. I explained that this was not something a white person said, but rather was a critical statement made by a Gananian African about how non-Africans were playing his instruments.
I was not trying to be or show any form of racial disrespect, but rather, to use a quote from someone who should know the instrument….. Incident averted.
Teen years can be trying times. Parents may be fighting, separating, dating and remarrying, which means the teen now has to not only deal with a break up of a foundation in his/her life, but often now has to live in multiple households. Some have to adjust to step-siblings, job losses, financial struggles and more.
Then, there are the complexities of school with seemingly unending pressures to perform, trying to get through the dating games, often without an anchor or example to follow. Influenced by increasingly negative social standards, or lack of standards….. teens can get caught in the rise and falling tides.
Most learn how to negotiate life’s trying currents, but can turn the wrong way, make a miscalculation or poor decision — and find themselves high and dry on the beach…..and they need help. Not every student needs, wants or will accept a teacher’s help. Sometimes the teacher’s effort is both unappreciated and unsuccessful.
Teens will listen if they respect and trust. Trust is one of the most valuable mentoring requirements.
In 7th grade, attending a band clinic at Morehead State University, I made the definite decision that I wanted to be a band director. No one on either side of my family had been to college, so I was clueless in many aspects of what it would take.
My band director, James Copenhaver, pulled me aside one day to explain:
You want to be a band director. That means you’re going to need to go to college, but your family can’t pay for you to go (My parents were divorced and my polio-surviving mother was raising five children.)
Your grades are okay, but not good enough for academic scholarships. You’re not athletic, so that is out.
The best chance for you to get to college is to become good enough on that clarinet that by the time you graduate, a college will pay for you to come. You’ve got four years.
7 C’s Students Deserve from Teachers has nothing to do with mediocre grades.
Students are worth fighting (advocating) for and deserve teachers who CAN (proficient, competent), who CARE (compassionate, empathetic), who CONNECT (communicate with, not at), who COLLABORATE and COMMUNICATE with colleagues and parents, who COORDINATE all that goes into providing an organized, informed and inspiring atmosphere, and who CHALLENGE what constrictstheir enthusiasm. I want to be one of those.
–John Gardner
I used a portion of the above as a facebook status and received a significant response from students, parents and others. One assumed I had just returned from a professional seminar…I took that as a compliment.
Have you ever heard comments like these from students? I have.
He is a terrible teacher. He can’t do anything outside his teacher textbook or PowerPoint presentation that he got from the textbook website.
If I am going to learn this, I’m going to have to do it myself.
I used to like [insert subject].
She doesn’t care about me, doesn’t know who I am or anything about me and probably doesn’t even know my name….’cause she never calls me by name.
That was probably up to date information a decade ago.
Students deserve teachers who CAN. In a music setting, students deserve teachers who are proficient musicians. Whether you call it modeling or some other name, they need to know that you know what you’re talking about. Vocal students probably get to hear their choir teacher sing more often than instrumental students hear the teacher play or perform on their main instrument.
I was working with a group of freshmen students on a combination of scale, finger technique and breathing skills by playing a scale multiple times on one breath. At one point, a clarinet student interrupted me with, “C’mon, these instruments can’t go any faster than that.” I got my clarinet out and zipped through a 3-octave chromatic scale multiple times in a breath. The next question; “How did you do that?”
That provided an amazing teaching moment.
Students deserve teachers who CARE. Yes, there are lines, boundaries and appropriate behaviors and otherwise…but one of the problems with teens is that they feel they are nothing more than educational fodder into which we professionals are to dump vast amounts of useless (their perception) information.
At what age are students no longer touchable or hug-able? I have had students in my office (even on the side of the marching rehearsal field) break down with emotion as they tell me about heavy duty drama at home, with job, boy/girl friend, or when they can’t get that marching set or flag toss. I don’t make a habit of hugging everybody (and shouldn’t), opting more often for high fives, hand shakes and shoulder taps….but sometimes ….sometimes, that student, boy or girl, needs a hug or an arm around the back onto a shoulder. Sometimes a proper touch is a powerful force for which there is no equal substitute.
Students deserve teachers who CONNECT. It is difficult to connect with a student unless they perceive that you know your stuff and that you care about them as an individual.
He talks at me, not with me.
She’s up there and I’m down here.
My grandma/grandpa died, but if I cry in class I’ll be in trouble.
I got this in a thank you note following a graduation open house visit:
Thanks for being there for me during my troubled teenage years. When family and parents are so totally dysfunctional, it is good to know that I could go to someone and share my burden and get encouragement and advice. I don’t know why (well, yes I kinda do) so many teachers are afraid of students…. but thanks for not being one of them.
Students deserve teachers who COLLABORATE and COMMUNICATE with other teachers, parents, and others on their behalf. Have you ever had a student who is stressed about another class because he/she is convinced the teacher has mis-understood (or mis-judged) him and is afraid to say anything….and you help out? Or how about a student who has zero support from home and trying to get through the FAFSA/Financial Aid jungle alone….and you help or make a call to the college FinAid department? Or what about students applying for jobs and scholarships. Do you make a call or write a letter on her behalf?
Students deserve teachers who plan, organize and COORDINATE all that goes into providing an organized, informed and inspiring atmosphere. The student’s locker and probably their home bedroom are likely disaster areas. Their home life might be a total wreck. They deserve structure and to know that they are important enough that you have spent some time getting ready for them. Some teachers may think they can “wing it”, but students can detect that. When they want improvisation, they will go to a jazz/rock concert. They need structured freedom to explore and learn, not disorganized chaos.
Students deserve teachers who will CHALLENGE what constricts them.
It was about one of my own sons that I sat several years ago in a middle school principal’s office enduring a fist banging on the desk accusation of “pushing” my kid.
My response as a parent, and now as a teacher, is to prevent walls from being erected in the path of student progress.
I was in 9th grade when my band director, who had heard I wanted to be a band director, pulled me aside to tell me that 1) being a band director would require going to college, 2) my family couldn’t afford it, and 3) he had a way, “make yourself valuable”.
My parents divorced my 7th grade year. Dad was a firefighter and Mom, a polio survivor, was left raising five kids….I was the oldest.
Mr. Copenhaver emphasized that my grades weren’t good enough for academic scholarships and pointed out that I wasn’t athletic, so he told me the only way I would get there was to be good enough at something that a school would pay for me to come. He said I was decent on clarinet and suggested I focus on that. I had 4yrs to prepare. He helped me get 1-1 instruction with the best teacher in the region, to attend summer camps at two universities, to partipcate in band clinics, solo/ensemble festivals and honor bands — for both the experience and the exposure. It worked. I made myself valuable.
I did have a loan (don’t remember the amt). Of course, the number was lower, but my first teaching job only paid about $10k, so all the numbers were lower. I had on and off-campus jobs, including (for a while) a 3rd shift cleaning job at a restaurant and a job I went to over breaks and around summer schedules. I rode my bike about 3-4 miles to an area high school 2-3 times a week to work with about 15 students until I got my first car in time for student teaching.
I do remember learning how to pay my bills, including deciding which ones I could pay after each teaching paycheck. I get that.
Are there problems with the system today? Absolutely. College prices are outrageous. When our younger son was in school, their prices increased $1000/yr — and are now double what they were when we were dealing with them. Schools can raise their fees because loan-makers make it easy to get higher loans to pay the higher fees. Many universities (including state schools) have billions (with a B) endowments. They could go tuitionless for at least several years. Meanwhile, the cycle keeps going.
The contractor we hope will soon get us on his schedule is driving a truck I could never afford. He told me he dropped out of college when he figured out that, instead of debt, he could quickly be making more than he would make with the degree he was working on. A military recruiter told our band class that going his route could enable someone to have 6-figures in the bank instead of 6-figures in debt.
I would hope we can find a way to help the needy without just transferring that obligation to those who couldn’t go to college or who went to trade school (and borrowed money for buildings, vehicles, tools, etc) or into the military instead.
Blanket cancellations (which I know this is not): the SCHOOL wins because they got their money and can now raise prices again, the LOAN-MAKERS win because they can make bigger loans.
Somebody a lot smarter than me is going to have to figure it out. I do not believe it is an easy solution.
If you want to respectfully respond, even to disagree, feel free. If you’re going to call me a non-Christian, selfish or some of the other names I’ve been called (like these twitter responses):
Selfish shell fish
Special snowflake
Ignorant to the rest of the world
Sweetie
Conversation of which I know nothing
You ASSume things
smarmy asshats
I looked at your profile pic (old, fat, bald)
Instructions from a Field Tech person explaining how to do a horns up.
One director started his band camp number (upper 30’s), but talked about it being “Day 1” for many members. The start of Band Camp is challenging because, in some ways, it is the hardest part of the season. At Band Camp, when the weather can be bright sunny and super hot, bandsters spend uncomfortable amounts of time learning how to stand up, stand still, hold a horn (the difference between playing position and “to the box”, for example), or when and how to do horns up/down. The questions are; When do you want to have your fun? Pay now or pay later?
Band Camp is usually hot. Hydration is vital. Fast and often water breaks.
Because they are in hot heat so much, marching ensembles must always have water with them.
One challenge at the beginning of Band Camp is to prevent “newbies” from quitting after the first hard, hot, long day of rehearsals.
I tried to have the following conversation with the band on the first rehearsal. On at least one year when I did not, someone quit after rehearsal #1 — so the conversation happened during rehearsal #2.
Veterans, some of you share with us what you think is one of the better parts of marching band? Why do you do this?
Answers might include:
bus rides to/from competitions (the longer the better)
competitions, watching other groups, the down time together, performing
football games
the reaction of the crowd – the thrill of the performance
friendships – band is family
Newbies, I want YOU to notice some things. Every veteran here has been through what you are about to begin. And they all came back. But also, note that all those things mentioned as the best parts of the band happen, mostly, in the Fall….long after Band Camp. And….did you notice that none of the veterans mentioned that camp is their favorite part of marching band? Do you know why?
Because band is hard. Band Camp is hard. Marching Band is hard work. The fun will come, but before the fun you have to pay the price. There is no shortcut. There is no cheap way.
We want to give you some fun times, even during band camp and the summer….but make no mistake, you can either have all your fun now (laugh, talk, put in minimum effort) and pay the price later (bad experiences / results in competition) … or you can pay the price now (hard work) and enjoy the results of your work when you hear the crowds and what the judges have to say.
The fun will come, but only after you pay the price. You’re going to hear from Seniors, Section Leaders, Drum Majors, Staff Members and Directors that you are not doing something right. Listen to them because they know what it is going to take.
For those of you coming from Middle School where you’ve been on the top of the heap, you’re now the Newbie. You need to learn and that can be hard and frustrating.
Do it anyway.
You’ll experience the best parts of marching band, but only after you get through band camp and the summer rehearsals. One day of camp is worth a week’s rehearsals… and by the time you go home at the end of the day you’re going to be exhausted, sweaty, stinky and sore.
Do it anyway.
Don’t go home after your first day and tell your parentals that you can’t do this. There are very few people who really cannot do this, and we can find a job for them too.
You CAN memorize drill, and music, and marching in step because you’re going to march and play every set and phrase hundreds, if not thousands, of times. That is the price.
I’m going to ask you to stay — and pay.
Stay — and play.
Stay — and work hard, and pay day will come.
And now….let’s go to work and get better than you were yesterday.
Freshman and Newbie Survival Guide
All first-year participants in Marching Band are Newbies. Consider the terms rookie, freshman, and newbie to be interchangeable. The following is an abbreviated marching band Freshman and Newbie Survival Guide.
The biggest challenge is for newbies to grasp the concept. Some come to us after being big, bossy 8th graders in Middle School…and now they are….rookies, with little to no marching band experience and at the bottom of the chain-of-command.
In some cases, there may be a freshman who is musically more proficient than an upperclassman, but the one thing freshmen and newbies don’t have is experience. You need to listen and learn and experience Marching Band.
Some advice for newbies to enhance their rookie year experience:
Be quiet and learn. Do not talk in rehearsals. Other than asking a question or asking for help, speaking should come from directors, staff, drum majors, seniors or section leaders. The upperclassmen with experience know what we expect and know what it takes. Newbies do not…yet. You will become experienced, but you are not there yet.
Respect your elders, including your upperclassmen. Marching Band does have a chain of command type of hierarchy and newbies are not at the top – yet.
Come to a drum major or director if you ever think someone is harassing or mistreating you, because that is absolutely forbidden. It just doesn’t happen here….and it won’t.
Never, EVER confront a director in rehearsal. We will make mistakes and perhaps even falsely accuse you of an error in rehearsal. The best thing you can do is cooperate at the moment and come talk to us during a break – or privately. If we are wrong, we will admit it and apologize to you publicly, if appropriate. Remember, though, that in a rehearsal, a director cannot lose an authority-questioning or disrespecting battle.
Don’t take it personally. We do a pretty good job, I think, of showing all band members that they are important to us and that we care about them individually. We want to hear about what is happening in their lives, including outside of band. It is okay to come to talk to us about boy/girlfriend issues, job situations, and even something where you want a sounding board in addition to or outside of home. BUT WHEN WE ARE IN REHEARSAL, think of yourself more like an important part of a big machine. The machine only functions properly if each and every part is working. If you are out of line, out of step, out of interval, out of horn position, are playing something incorrectly or not playing…..we WILL point that out to you because you affect the machine. A judge’s eye is always looking for something different, so the best thing is NOT to draw attention to yourself. If you ever think that we are ‘picking’ on you, please come say something. That is never the intent.
Almost every year that I taught, I had variations of the same conversation, usually during a spring semester, when a normal realization from some talented, top quality, mature bandsters are sadly realizing that some of their friends and the ensemble’s leaders are (or will be) gone…. During their band lives, they had tended to ‘hang out’ with those in upper grades.
This is a call for NEW leaders to step up.
If this note is speaking to you it is a compliment. As you think back during your earlier years, there were upper-level students who accepted you into their friend circles, right? Those became strong and meaningful relationships and you gained from their experience and insight – and from their friends.
Some of those friends have graduated or will before you do, and that saddens you. They are moving on and you’ll miss them. You look at those in younger classes who maybe don’t (yet) show the qualities you admired in your older friends.
Now it is YOUR TURN to be the mature mentor for those younger, including incoming newbies. You know what it takes, better than they. So my question for you is, what are you going to do about it?
Perhaps you feel a little inadequate like you’re not as ‘good’ as your mentors. You know what I think? I think you ARE. As you step into the leadership role, you know what I think? I think you CAN.
If this note seems like I’m writing it specifically to you, then you probably have already been a “step it up” kinda person. That’s one of the reasons you’ve been comfortable around those older. Now it is YOUR TURN to step into major leadership; to replace those who are leaving and to set the tone for those coming in and for those who are already looking up to you. NOW IT IS YOUR TURN! YOU’RE READY. BE A LEADER. BE A MENTOR. BE A FRIEND….and we’ll all be the better for it, including YOU!
I was looking for something else and stumbled across this…. the narrative portion of a teacher eval on me about a year after they tried to pink-slip me. It was likely a scheduled observation and one of those times you find out what students think of you — because they can make it go really well or horribly wrong. Not sure why they insert the name so often. I find that distracting. Apparently, this was early as we were learning the piece, “Africa: Ceremony, Song, and Ritual”. I should point out that the artifacts passed around and the email read came from David’s summer studies in Ghana.
VIII. NARRATIVE (March 2007)
As I entered Mr. Gardner’s class, I immediately noticed the projector displaying announcements. Specifically, the following were scrolling: Leadership Truths, Characteristics of Quality, Birthdays, and the agenda for each day of the week. In addition, Mr. Gardner used the speakers in the band room to play audio of the African piece that has been the focus of instruction. When the bell rang, Mr. Gardner turned on the lights; students immediately became quiet. Mr. Gardner began to lead students in a warm-up activity. He used the projector during this time. Mr. Gardner’s band room is orderly and conducive to learning. During the last warm-up exercise, Mr. Gardner requested that a senior conduct. Next, Mr. Gardner assigned the following exercise: students were to submit five suggestions that could improve the African piece. He allowed students to make suggestions regarding his performance, as well. Next, Mr. Gardner shared some African artifacts with students. They passed the artifacts around the room while Mr. Gardner read aloud an email message from a study-abroad student in Africa. Students were very attentive during this time. Next, the band started performing the piece; this piece is relatively new to the students. Mr. Gardner balanced praise with constructive criticism. Mr. Gardner transitioned into a rhythm exercise. He allowed students to choose the object they were to use to demonstrate rhythm. Students enjoyed the exercise. Mr. Gardner uses modeling to support his direct instruction. It should be noted that when there are students talking during Mr. Gardner’s direct instruction, other students remind those who are talking to be quiet. Mr. Gardner led students again through the piece. At the end of the period, students were quiet and attentive during announcements. Mr. Gardner praised students as they left, and he reminded them to submit the “suggestion sheet.”
Other good points will be listed below.
1. Mr. Gardner’s class is engaging. Students enjoy the learning environment and are
clearly motivated by the instruction and varied strategies.
2. Mr. Gardner has a passion for teaching that translates into excitement for the students.
She was a new student who transferred in. I needed to listen to her so I could place her. I had never seen color-coded keys and it gave a good reason to have a nice get-to-know-you conversation. She said her band teacher labeled all their clarinetists’ keys like this. It was a nice horn.
I was in 9th grade when my band director, who had heard I wanted to be a band director, pulled me aside to tell me that 1) being a band director would require going to college, 2) my family couldn’t afford it, and 3) he had a way, “make yourself valuable”.
