She was a new student who transferred in. I needed to listen to her so I could place her. I had never seen color-coded keys and it gave a good reason to have a nice get-to-know-you conversation. She said her band teacher labeled all their clarinetists’ keys like this. It was a nice horn.
Wow! I’ve spent my whole teaching career explaining the fingerings and expecting students to get it.
I HAVE had students label all their music notes. I didn’t allow it if I knew about it…..explaining that they were going to encounter more notes than they were going to be able to label.
btw I wonder if that teacher labeled trumpets or trombones.
author of “Bad Therapy: Why the Kids Aren’t Growing Up”
I periodically listen to interviews conducted by Marissa Streit, a former classroom teacher. The title of this one caught my eye so I listened. As I did, I noted down some near quotes that I hear. These are not polished…. but give you an idea of the discussion. I didn’t agree with everything said, in particular, the parts about allowing children to walk home alone from school (or have I been affected by the hype?)…. But she kinda answers a thought I’ve had….. Why did we not have these problems, at least as pronounced, when we were kids? I don’t ever remember ‘mental health, PTSD and therapy being nearly as prominent as they seem today. I don’t intend to read the book, but parents of young children my gain from hearing this interview.Before you attack one of the comment/notes, listen to that part of the podcast and think critically about why you want to say what you want to say….and thank you for that.
Have America’s Classrooms Become Profit Centers for the Mental Health Industry?
Why does every child talk about having anxiety?
Why are our children swimming in mental health therapy?
1 in 4 young people identifying as trans. (Girls 7th grade).
Everybody needs therapy.
Everyone is broken.
A generation that is in profound distress.
The largest patient pool for mental health therapy are from the public schools. (CA)
Trams-informed care.
Every child has emotional damaged.
Instead of sending kids to the principal, they are now sent to the counselor.
Schools as a mental health ward.
SEL Social Emotional LearningTrojan house.Teachers are not therapists.
How are you feeling? Think of a time when (pain).
Trauma informed care.
Being born black means you’ve been traumatized.
Break the family
Over medicate children
If you wanted to break them down, there would be no better way than what is currently being taught in schools under the heading of mental health.
But… we have to keep them from suicide. How to find the line.
…the child who has never thought about it is forced to think about it.
…the child who HAS thought about it….
Does your child have a serious problem you cannot fix by changing their environment? If you cannot stabilize them that way, then yes. Therapist….but research the therapist the way you would research a surgeon.
Reset the default. Step 1 should not always be therapy and medication.
Some will need it and they should get it, but we are overreacting every childcreating mental disorder.
Hardship can be good for you. Certain kinds of adversity is really good for kids. Tell them the truth…that resilience is the story of the human condition. Most kids will emerge resilient. Tell them their parents went through hard things. Their grandparents went through hard things. Most will recover….a small percentage will really need professional help.
We don’t teach history so much as we’re teaching victim-hood. We don’t even teach them their own history. We need to connect them to their grandparents…what they went through. What their family, their ancestors went through.
You can get through it…because the vast majority will.
Feelings are always front and center. Being crushed under the weight of their own feelings.
PTSD traumatizing.
There are people who need help.
Kids need authority, community, independence. I can walk home from school… or to the store…or cook dinner.
I’m not shy. I have social depravity.
I’m not worried….i have anxiety.
Once you have anxiety, you need an expert to help you and you need a drug.
“You can’t say that. “
Disagreeable personality.
Don’t let someone diagnose them unless they really have a problem.
Terminology
SEL (Social Emotional Learning). Everything is a psychological program and requiresgroup (classroom) therapy.
Memory poker (as in the game). Group setting, kids trying to “1 up” each other. Exaggerating and talking yourself into the idea that you have been traumatized.
And all this is happening instead of academics.
Parentify. Parental abuse. Why do immigrant kids do so much better? Strong parenting. Chores and helping family and community are expected. Immigrant kids running toward adulthood and American kids staying home on mamas couch because they’ve been traumatized. The world is against them.
Trauma. There are traumatized kids, but we apply it to everyone.
There is a reason why we didn’t hear these terms as children.
Trust “Parenting expert”….only if he/she raised good kids to adulthood. Not a book learned only. Books by parenting experts who have never had children. (I remember thinking this way about the college professors in the Education School who had never been away from the college campus telling us how to teach.
In the high school where I taught, we were just beginning to work on Africa: Ceremony, Song and Ritual. It was an incredible piece of music written to display some of the beauty and complexity of African music and drumming.
I have two “racist”-related stories to go with our preparation of this piece. The first happened several years ago when I invited (and then had to un-invite) an area African drumming group to come to our school to lead a Master Class for our students and open our concert. That will be for another post.
More recently, as part of our discussion and preparation, I spoke with the class about how African drums are considered “sacred” and that we would treat this music and our performance of it with that type of respect.
As part of that discussion, I spoke a little of my son’s study abroad experience during his undergraduate work at Duke University, when he spent a summer in Ghana. He was one source of telling me how reverently the Gananians treated the drumming instruments. He also told me the exceptional level of respect they gave “white people”, especially men.
He stepped over some local cultural norms when he insisted on helping with the food preparation and in washing his own clothes. It should be noted that the home where he stayed was considered one of a “nobleman” from the area.
Not comfortable with the female servants doing his laudry, David tried to do his own. The best he could get was for them to let him help them.
“Everyone wanted their picture taken with the white guy, and they wanted hugs. When I went to church, they would always set me on the front row, if not on the platform itself.” -David Gardner
What really sparked the shocked response was when I told this class (mostly white with a small hispanic component) about my son’s experience in a Drumming Circle, where several of the students from his trip participated. The comment that the drumming leader made (multiple times) was that….
“You all are playing like a bunch of WHITE PEOPLE.”
I got a noticeable gasp of disbelief and shock when I shared that quote. I explained that this was not something a white person said, but rather was a critical statement made by a Gananian African about how non-Africans were playing his instruments.
I was not trying to be or show any form of racial disrespect, but rather, to use a quote from someone who should know the instrument….. Incident averted.
Teen years can be trying times. Parents may be fighting, separating, dating and remarrying, which means the teen now has to not only deal with a break up of a foundation in his/her life, but often now has to live in multiple households. Some have to adjust to step-siblings, job losses, financial struggles and more.
Then, there are the complexities of school with seemingly unending pressures to perform, trying to get through the dating games, often without an anchor or example to follow. Influenced by increasingly negative social standards, or lack of standards….. teens can get caught in the rise and falling tides.
Most learn how to negotiate life’s trying currents, but can turn the wrong way, make a miscalculation or poor decision — and find themselves high and dry on the beach…..and they need help. Not every student needs, wants or will accept a teacher’s help. Sometimes the teacher’s effort is both unappreciated and unsuccessful.
Teens will listen if they respect and trust. Trust is one of the most valuable mentoring requirements.
In 7th grade, attending a band clinic at Morehead State University, I made the definite decision that I wanted to be a band director. No one on either side of my family had been to college, so I was clueless in many aspects of what it would take.
My band director, James Copenhaver, pulled me aside one day to explain:
You want to be a band director. That means you’re going to need to go to college, but your family can’t pay for you to go (My parents were divorced and my polio-surviving mother was raising five children.)
Your grades are okay, but not good enough for academic scholarships. You’re not athletic, so that is out.
The best chance for you to get to college is to become good enough on that clarinet that by the time you graduate, a college will pay for you to come. You’ve got four years.
7 C’s Students Deserve from Teachers has nothing to do with mediocre grades.
Students are worth fighting (advocating) for and deserve teachers who CAN (proficient, competent), who CARE (compassionate, empathetic), who CONNECT (communicate with, not at), who COLLABORATE and COMMUNICATE with colleagues and parents, who COORDINATE all that goes into providing an organized, informed and inspiring atmosphere, and who CHALLENGE what constrictstheir enthusiasm. I want to be one of those.
–John Gardner
I used a portion of the above as a facebook status and received a significant response from students, parents and others. One assumed I had just returned from a professional seminar…I took that as a compliment.
Have you ever heard comments like these from students? I have.
He is a terrible teacher. He can’t do anything outside his teacher textbook or PowerPoint presentation that he got from the textbook website.
If I am going to learn this, I’m going to have to do it myself.
I used to like [insert subject].
She doesn’t care about me, doesn’t know who I am or anything about me and probably doesn’t even know my name….’cause she never calls me by name.
That was probably up to date information a decade ago.
Students deserve teachers who CAN. In a music setting, students deserve teachers who are proficient musicians. Whether you call it modeling or some other name, they need to know that you know what you’re talking about. Vocal students probably get to hear their choir teacher sing more often than instrumental students hear the teacher play or perform on their main instrument.
I was working with a group of freshmen students on a combination of scale, finger technique and breathing skills by playing a scale multiple times on one breath. At one point, a clarinet student interrupted me with, “C’mon, these instruments can’t go any faster than that.” I got my clarinet out and zipped through a 3-octave chromatic scale multiple times in a breath. The next question; “How did you do that?”
That provided an amazing teaching moment.
Students deserve teachers who CARE. Yes, there are lines, boundaries and appropriate behaviors and otherwise…but one of the problems with teens is that they feel they are nothing more than educational fodder into which we professionals are to dump vast amounts of useless (their perception) information.
At what age are students no longer touchable or hug-able? I have had students in my office (even on the side of the marching rehearsal field) break down with emotion as they tell me about heavy duty drama at home, with job, boy/girl friend, or when they can’t get that marching set or flag toss. I don’t make a habit of hugging everybody (and shouldn’t), opting more often for high fives, hand shakes and shoulder taps….but sometimes ….sometimes, that student, boy or girl, needs a hug or an arm around the back onto a shoulder. Sometimes a proper touch is a powerful force for which there is no equal substitute.
Students deserve teachers who CONNECT. It is difficult to connect with a student unless they perceive that you know your stuff and that you care about them as an individual.
He talks at me, not with me.
She’s up there and I’m down here.
My grandma/grandpa died, but if I cry in class I’ll be in trouble.
I got this in a thank you note following a graduation open house visit:
Thanks for being there for me during my troubled teenage years. When family and parents are so totally dysfunctional, it is good to know that I could go to someone and share my burden and get encouragement and advice. I don’t know why (well, yes I kinda do) so many teachers are afraid of students…. but thanks for not being one of them.
Students deserve teachers who COLLABORATE and COMMUNICATE with other teachers, parents, and others on their behalf. Have you ever had a student who is stressed about another class because he/she is convinced the teacher has mis-understood (or mis-judged) him and is afraid to say anything….and you help out? Or how about a student who has zero support from home and trying to get through the FAFSA/Financial Aid jungle alone….and you help or make a call to the college FinAid department? Or what about students applying for jobs and scholarships. Do you make a call or write a letter on her behalf?
Students deserve teachers who plan, organize and COORDINATE all that goes into providing an organized, informed and inspiring atmosphere. The student’s locker and probably their home bedroom are likely disaster areas. Their home life might be a total wreck. They deserve structure and to know that they are important enough that you have spent some time getting ready for them. Some teachers may think they can “wing it”, but students can detect that. When they want improvisation, they will go to a jazz/rock concert. They need structured freedom to explore and learn, not disorganized chaos.
Students deserve teachers who will CHALLENGE what constricts them.
It was about one of my own sons that I sat several years ago in a middle school principal’s office enduring a fist banging on the desk accusation of “pushing” my kid.
My response as a parent, and now as a teacher, is to prevent walls from being erected in the path of student progress.
Almost every year that I taught, I had variations of the same conversation, usually during a spring semester, when a normal realization from some talented, top quality, mature bandsters are sadly realizing that some of their friends and the ensemble’s leaders are (or will be) gone…. During their band lives, they had tended to ‘hang out’ with those in upper grades.
This is a call for NEW leaders to step up.
If this note is speaking to you it is a compliment. As you think back during your earlier years, there were upper-level students who accepted you into their friend circles, right? Those became strong and meaningful relationships and you gained from their experience and insight – and from their friends.
Some of those friends have graduated or will before you do, and that saddens you. They are moving on and you’ll miss them. You look at those in younger classes who maybe don’t (yet) show the qualities you admired in your older friends.
Now it is YOUR TURN to be the mature mentor for those younger, including incoming newbies. You know what it takes, better than they. So my question for you is, what are you going to do about it?
Perhaps you feel a little inadequate like you’re not as ‘good’ as your mentors. You know what I think? I think you ARE. As you step into the leadership role, you know what I think? I think you CAN.
If this note seems like I’m writing it specifically to you, then you probably have already been a “step it up” kinda person. That’s one of the reasons you’ve been comfortable around those older. Now it is YOUR TURN to step into major leadership; to replace those who are leaving and to set the tone for those coming in and for those who are already looking up to you. NOW IT IS YOUR TURN! YOU’RE READY. BE A LEADER. BE A MENTOR. BE A FRIEND….and we’ll all be the better for it, including YOU!
I was looking for something else and stumbled across this…. the narrative portion of a teacher eval on me about a year after they tried to pink-slip me. It was likely a scheduled observation and one of those times you find out what students think of you — because they can make it go really well or horribly wrong. Not sure why they insert the name so often. I find that distracting. Apparently, this was early as we were learning the piece, “Africa: Ceremony, Song, and Ritual”. I should point out that the artifacts passed around and the email read came from David’s summer studies in Ghana.
VIII. NARRATIVE (March 2007)
As I entered Mr. Gardner’s class, I immediately noticed the projector displaying announcements. Specifically, the following were scrolling: Leadership Truths, Characteristics of Quality, Birthdays, and the agenda for each day of the week. In addition, Mr. Gardner used the speakers in the band room to play audio of the African piece that has been the focus of instruction. When the bell rang, Mr. Gardner turned on the lights; students immediately became quiet. Mr. Gardner began to lead students in a warm-up activity. He used the projector during this time. Mr. Gardner’s band room is orderly and conducive to learning. During the last warm-up exercise, Mr. Gardner requested that a senior conduct. Next, Mr. Gardner assigned the following exercise: students were to submit five suggestions that could improve the African piece. He allowed students to make suggestions regarding his performance, as well. Next, Mr. Gardner shared some African artifacts with students. They passed the artifacts around the room while Mr. Gardner read aloud an email message from a study-abroad student in Africa. Students were very attentive during this time. Next, the band started performing the piece; this piece is relatively new to the students. Mr. Gardner balanced praise with constructive criticism. Mr. Gardner transitioned into a rhythm exercise. He allowed students to choose the object they were to use to demonstrate rhythm. Students enjoyed the exercise. Mr. Gardner uses modeling to support his direct instruction. It should be noted that when there are students talking during Mr. Gardner’s direct instruction, other students remind those who are talking to be quiet. Mr. Gardner led students again through the piece. At the end of the period, students were quiet and attentive during announcements. Mr. Gardner praised students as they left, and he reminded them to submit the “suggestion sheet.”
Other good points will be listed below.
1. Mr. Gardner’s class is engaging. Students enjoy the learning environment and are
clearly motivated by the instruction and varied strategies.
2. Mr. Gardner has a passion for teaching that translates into excitement for the students.
Someone tweeted a prompt, “that one time at band camp”. This was my response. Did this several times. Official practice for the fire fighters. Great fun for hot teens during band camp.
UPDATE: Be sure to read the parent comments at the end of this article.
Over a decade after high school graduation, he told his parents he was bullied as a high school freshman, not telling them at the time because he feared they’d make a big deal of it.
He DID go to a teacher who ignored or brushed aside his emotional plea. In his valedictorian speech at graduation three years later, when he listed the “Top 10 Things I Learned in High School”, one of them was…..
“….that my head really does fit in a gym locker.”
Still no response. This was before all the more recent publicity of the terribly negative lifetime impact that bullying can have….but
…there is no excuse for inaction. EVER!
Fortunately, this story doesn’t end tragically…. but that doesn’t make it right.
She was a new student who transferred in. I needed to listen to her so I could place her. I had never seen color-coded keys and it gave a good reason to have a nice get-to-know-you conversation. She said her band teacher labeled all their clarinetists’ keys like this. It was a nice horn.
